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About Us

The Old Red Lion Theatre first opened its doors in 1979, and is now one of London's oldest and most loved Fringe theatre venues.

We are the Off-West End home of exceptional, ambitious and challenging theatre, ranging from world premieres of new plays to acclaimed revivals of significant productions from throughout history.

We support the UK’s most exciting artists at crucial stages of their careers, presenting work that challenges our audiences and connects us to communities rarely given the opportunity to be seen on stage. This focus firmly establishes us as one of the most acclaimed Off-West End venues for ambitious, powerful theatre.

Our mission is to nurture and present the very best of new, emerging theatrical talent. Esteemed artists including Abi Morgan, Joe Penhall, Kathy Burke, Stephen Daldry, Penelope Skinner and Nina Raine are just a few who had their early work presented on our stage, and this list grows each year.

OUR WORK

The Old Red Lion Theatre has an unparalleled reputation across Off-West End theatre for staging challenging, ambitious work, and as such a significant number of our productions have transferred to the West End and Off-Broadway.

We were the home to Mischief Theatre’s premier of the now Olivier award-winning The Play That Goes Wrong before it transferred to Trafalgar Studios in 2013, toured the UK, and found its new home in the heart of the West End at the Duchess Theatre.

Other recent productions staged at the Old Red Lion that have transferred into the West End and beyond include the world premiere of Arthur Miller’s first play No Villain, Ned Bennett’s revival of Phillip Ridley’s Mercury Fur, Moses Raine's Donkey Heart, and Naomi Sheldon’s Good Girl (Trafalgar Studios); Mrs Orwell (Southwark Playhouse); Kissing Sid James (London and Off-Broadway) and The Importance of Being Earnest (Theatre Royal Haymarket).

We are currently the official home of the London Horror Festival, the UK's original and largest festival of live horror performance. The London Horror Festival 2018 ran for 4 weeks from 7th October - 3rd November, showcasing over 30 productions, as well as a rehearsed reading of the 2018 Playwriting Competition Winner presented by Danse Macabre Productions

what we programme

The ORL's main programme of productions generally run on Tuesday - Saturday evenings with weekend matinees. 

We also regularly host scratch nights on Sundays and Mondays, where emerging theatre-makers can trial out new work. Often playwrights and other creatives use these nights as an opportunity for their work to be developed into a professional production, which can eventually end up being part of one of our programmed seasons.

critical acclaim

The Old Red Lion has an established reputation of acting as a springboard for artists to start working in larger venues, and the productions we stage have received an immense volume of Offie nominations and press attention, which actively support an artist’s career progression:

 

2018 NOMINATIONS SO FAR:

Best Female in A Play: Edie Newman for Broken

Best New Play: Kenneth Emson's Plastic

Best Ensemble: Plastic

Best Female in A Play: Jill McAusland for The Moor 

Most Promising New Playwright: Catherine Lucie for The Moor

Best Director: Blythe Stewart for The Moor 

Best Lighting Designer: Zoe Spurr for Tiny Dynamite 

Best Sound Designer: Dan Jeffries for Tiny Dynamite 


2017 FINALIST:

Best Set Design: Max Dorey for Talk Radio

 

2016 WINNERS:

Most Promising New Playwright: Tim Foley for The Dogs of War

Best Artistic Director: Stewart Pringle for the Old Red Lion Theatre

 

2016 FINALIST:

Best Supporting Female: Kate Kennedy for Three Short Plays

 

2015 FINALIST:

Best Production: Piranha Heights 

 

2013 WINNER:

Best Set Designer: James Turner for Mercury Fur

 

2013 FINALIST:

Best Production: Mercury Fur

 

2012 FINALIST:

Most Promising New Playwright: Luke Barnes for Chapel Street


COMPANY DETAILS

OLD RED LION THEATRE PUB Limited
418 ST JOHN STREET, LONDON, EC1V 4NJ
VAT REGISTRATION NO: 130232180
COMPANY NO: 07905030

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